A METAPHOR FOR I DON'T KNOW WHAT

Unfilmable

Inflammable

Invincible

Turning his weedy head of gold, his lips are red slashlines upon his face flesh. He sounds out the words of a monologue. It is a whispery torrent. It is the control that only a madman has. His energy is unending. His violence tempers his lust—if you can call it lust. He is parentless. He is childless. He is a sex god. He is a self-monger.

He is a telling me I will make his movie. He is a fiery person. Every other fiery person I’ve met their eyes go on fire and their body stays normal. Him, his flesh burns with his passion, his presence burns with his madness and his eyes incandesce.

You are mad! I tell him. I cannot film this movie you have given me.

It is genius! he says. And you will film it. Then he starts sputtering in Italian how he is a genius. How he makes women have orgasms at the sight of him and his violin.

It is unfilmable, I said. Just as my friend Werner Herzog said. It is unfilmable. If Werner Herzog said it was unfilmable, no one can film it!—I say this to Klaus. Werner Herzog moves mountains, but he cannot film your lousy movie.

Oh! How dare you! Klaus says to me. He is really raging. Foaming at the mouth. We will make this movie! We will make much better than anything Werner could have ever made! The pig! May he lick my ass!

You don’t know what you’re saying. Do you know why he said it is unfilmable? Do you know why, Klaus? I don’t think you even know why.

It is because he is scum! He never made a good movie. The man is an egotistical pinhead. He is not what I would call an artist. Villon had a name for the likes of him: Fucking scum!

Klaus, listen to me, I say. Listen to me. Why did you choose Paganini? Of all the—Paganini?

Because I am Paganini!

I thought you were Christ!?

I am Christ! I am Paganini!

Christ is one thing. But Paganini, the man had a facility with the violin that won’t quite come across on the screen. Klaus, can you play the violin?
Bah! I can play anything. I am the greatest actor of our time. Of all time.

But you can’t play a note on the violin.

You use the film medium. The film medium can make it seem so. David Lean could do it.

Klaus: It will look terrible, I say to him. There is no getting around the fact that you can’t play the violin. You will be on the screen, and we will expect you to play the violin. Always in a Werner Herzog movie, nobody ever fakes playing a musical instrument. That’s because Herzog knows that it would be a sham to fake it. You would be perpetuating all that is sham in our progressively more and more sham culture.

Do I have to stand here all day listening to your dribbling? You are making me sick. Maybe you are not the man for the job. You have become weak. Maybe once you made a good movie. Maybe you are the sham. Because I am no sham. I am genius. And genius lives. Yes. I don’t need you. I will make the movie.

Don’t do it, Klaus.

I will make the movie. The movie is already forming itself in my mind, you see. It is beautiful. It is strange. Paganini is in a concert hall. He is playing the violin. It is so passionate. You see, it comes from some dark well, far beneath, something that you could never know. Werner saw it in me. The pig never knew exactly what he was looking at. Because if he could understand it, he would grow insane. Maybe he could stand it. But he always shrinked away from it. Like you do now. You are a shrinking, pitiful man. You speak of sham. I am Paganini. I am in the concert hall. The concert hall with all the ladies and the men—but mainly women. Women in their 19th century corsets and bodices, and their heaving bosoms. And they want but one thing. Paganini. Kinski. They want me. They are enraptured with my playing. Sexually. They must have me.

I read the script, Klaus. Such as it was.

But you can’t feel it! Can you?


Translated from English to Spanish to English:
Invincible Giving returned to their head weedy of gold, their red lips are slashlines on their meat of the face. It sounds outside the words of a monólogo. Whispery is a torrent. It is the control that only a crazy person has. Its energy is interminable. Its violence tempers his lujuria-if you can call it lujuria. It is parentless. It is without children. It is a God of sex. It is a one sameone. It is to say me that I will make its film. He is an ardent person. Each other ardent person I have solved its eyes I go in the fire and its body remains normal. It, his meat burns itself with his passion, its presence burns with its madness and his incandesce of the eyes. You are angered! I say to him. I cannot film this film that you have given me. It is genius! he says. And you will film it. Then he begins to mumble in Italian how he is a genius. How he does that the women have orgasmos in the Vista of him and of its violin. He is unfilmable, I said. Hardly like my friend Werner Herzog this. He is unfilmable. If Werner Herzog claimed were unfilmable, nobody can film it!-I says this to Klaus. Werner Herzog moves mountains, but he cannot film his film lousy. Oh! How audacity you! Klaus says to me. He really is raging. Doing foam in the mouth. We will make this film! We will do far better that any thing Werner could have always done! The pig! It can lick my ass! You do not know what you are saying. You know porqué he said that he is unfilmable? You know porqué, Klaus? I do not think that you even know why. It is because it is foam! He never made a good film. The man is pinhead egotista. It is not what an artist would call. Villon had a name for the tastes of him: Excrement foam! Klaus, listens to me, I say. I listens. Why you chose Paganini? Of all the-Paganini? Because I am Paganini! I thought that you were Christ? I am Christ! I am Paganini! Christ is a thing. But Paganini, the man had a facility with the violin that will not absolutely come to traverse in the screen. Klaus, can you touch the violin? Bah! I know to play any thing. I am the greatest agent of our time. Of all the hour. But you cannot play a note on the violin. You use means of the film. The means of the film can do that it looks like so. The inclination of David could do it. Klaus: It will seem terrible, I say to him. There is no obtaining around the fact that you cannot touch the violin. You will be in the screen, and we will hope that you touch the violin. Always in a film of Werner Herzog, nobody always falsifications that play musical. That is because Herzog knows that he would be an imposter to falsify it. You would be perpetuating everything that is cheating progressively more in ours and more culture of the imposter. I must be unemployed here all the day that listens to its dripping? You me are making ill. You are not perhaps the man for the work. You have made weak. Perhaps once you made a good film. You are perhaps the imposter. Because I am not no imposter. I am genius. And lives of the genius. Yes. I do not need to him. I will make the film. It does not do it, Klaus. I will make the film. The film is forming already in my mind, you you see. She is beautiful. She is strange. Paganini is in a hall concerts. It is touching the violin. He is so enthusiastic. You see, he comes from a certain affluent darkness, far underneath, something that you could never know. Werner saw it in me. The pig never knew exactly what he watched. Because if he could understand it, he would grow insano. It could be stopped it perhaps. But he shrinked always far from him. Like you now. You are to be contracted, lamentable man. You speak of imposter. I am Paganini. I am in the hall concerts. The hall concerts with all the ladies and man-but mainly the women. Women in his diecinueveavo corsés and blouses of the century, and their chests of the rise. And they wish only one thing. Paganini. Kinski. They wish me. Enraptured with my to play. Sexual. They must have to me. I read the writing, Klaus. For example it was. But you cannot feel it! Can you?


English-German-English
Inflammable Unbesiegbar its weedy head of the gold turning Unfilmable, are its lips red slashlines after its face meat. It sounds from the words of a Monologs. It is a whispering river. It is the control, which has only a mad. Its energy is unending. Its act of violence moderates seins, Sinneslust-wenn you it to call can sense desire. It is parentless. It is childless. It is a sex God. He is a self dealer. It is explaining me, which I form its film. He is a burning person. Every other burning person has I its eyes go on fires met and their body remains normally. It, its meat burns eyes incandesce with its inclination, burns its presence with its verruecktheit and its. They are furious! I explain to him. I cannot film this film, which you gave me. It is genius! he says. And you film it. Then it begins to squirt on Italian as it is a genius. As it lets Mrs. Orgasmen at the sight of it and of its violin have. It is unfilmable, said I. Straight as my friend Werner duke said. It is unfilmable. If Werner said duke, it was unfilmable, can nobody it! i filmed to say this to Klaus. Werner duke shifts mountains, but it cannot film your bad film. OH -! as you trust! Klaus says to me. It really races. Foams at the opening. We form this film! We form much better, than all Werner could have formed at all! The pig! It may lick mine donkeys! They do not know, what you say. Do you know, why he said that it is unfilmable? Do you know why, Klaus? I do not think that you know even why. It is, because it is Abschaum! It never formed a good film. The man is an egoistic Pinhead. It is not, which I would call an artist. Villon had a name for the same of it: Fucking Abschaum! Klaus, hear on me, legend I. Hear on me. Why did you select Paganini? Of all the Paganini? Because I am Paganini! I thought that her Christian! were? I am Christian! I am Paganini! Christian is a thing. But Paganini, the man had a service with the violin, which quite does not come over here on the screen. , you can play Klaus the violin? Bah! I can play everything. I am a largest actor of our time. Of all time. But you cannot play a note on the violin. They use the film means. The film means can let it seem in such a way. David lean could do it. Klaus: It looks terriblly, legend I to it. There is no receiving around the fact that you cannot play the violin. They are on the screen, and we expect you to play the violin. Always in Werner duke film, nobody at all falsifications, which play a music instrument. That is, because duke knows that it would be a pretended, to falsify to it. They would perpetuate everything, which is pretended in our gradually ever more pretense culture. Do I have to stand all day here, which hears to your Troepfeln? They educate me ill. Possibly you are not the man for the job. They became weak. Possibly, as soon as you formed a good film. Possibly you are the pretended. Because I am not pretended. I am genius. And genius lives. Yes. I do not need you. I form the film. Do not do it, to Klaus. I form the film. The film forms already in my understanding, sees they it is beautiful. It is strange. Paganini is in a concert hall. It plays the violin. It is so passionate. They see, it come from something darkness well, far down, to something, which you could never know. Werner saw it in me. The pig knew never exactly, what it regarded. Because, if he could understand it, it would grow spirit-ill. Possibly it could stand it. But it shrinked always away of it. Like it now. They are a shrinking, along-feeling man. They speak of the pretended. I am Paganini. I am in the concert hall. The concert hall with all ladies and Mann-aber mainly women. Women in their 19. Jahrhundertkorsetts and -miedern and their elevation bosoms. And they wish however a thing. Paganini. Kinski. They wish me. They are entzueckt with my playing. Sexually. They must have me. I read the index, Klaus. As it was. But you cannot believe it! Can they?

English-Chinese-trad-English

The Unfilmable flammable invincible rotation gold he spreads the head, his lip is red slashlines in his face flesh and blood. He probes the monologue the word. This is in a soft voice mighty current. This is the control which the only madman has. His energy is without limits. His violence rubs 鍊 his lust if you can call it the lust. His parentless. He is the non- children. He is the natural god. He is from already monger. He will be tells me me to make his movie. He is a fiery person. Other fiery people I met their eye to go at the open fight between factions also their bodily pause are normal. He, his flesh and blood fever fills his fervor, his existence burns by him is crazy and his eye incandesce. You are crazy! I tell him. I was unable to produce you to give my this movie. This is a talent! He said. And you will produce it. How then does he start to splash with Italian language him is the talent. How he enable the woman to have the sexual intercourse high tide in him and his violin sight. It is unfilmable, I said. Friend of mine Werner Herzog thought. It is unfilmable. If Werner Herzog thought it is unfilmable, nobody is possible to produce it! -I said this to Klaus. Werner Herzog migration mountain, but he is unable to produce your too bad movie. Oh! How dare one you! Klaus thought to me. He truly gets angry. Foam in mouth. We will make this movie! We will compare any Werner to be able once to do have completed! Pig! Is willing him to lick me the donkey! You did not know any you said. You knew why he did say it is unfilmable? Why do you know, Klaus? I did not think why you even do know. It is because he is the dross! He has never made a good movie. The person is proud the needle. His not be I can call the artist. Villon has a name regarding to like him: Should die dross! Klaus, listens to me, I to say. Listens to me. Why have you chosen Paganini? All the-Paganini? Because I am Paganini! I thought you are Christ! ? I am Christ! I am Paganini! Christ is a matter. But Paganini, the person will have one kind of facility with not to be able quite to meet in the screen violin. Klaus, you may play the violin? Bah! I can play any thing. I am our time greatest actor. All times. But you are unable to play write down about the violin. You use the movie medium. The movie medium possibly makes it as if so. David inclines can make it. Klaus: It will look like fearfully, I said to him. Had not evaded the fact you are unable the ball violin. You will be in the screen, and we hoped you play the violin. Always in Werner the Herzog movie, once nobody imitation item 彈奏 a musical instrument. That is because Herzog knew this can be the counterfeit goods fabricates it. You cause all perpetuity progressive are the counterfeit goods in ours Vietnamese □counterfeit goods culture. I must stand here to listen attentively to you to trickle all day? You cause me to get sick. Possible you are not the artificial work. You change weakly. Possible once you to have made a good movie. Possible you are the counterfeit goods. Because I am do not have the counterfeit goods. I am the talent. And talent life. Yes. I do not need you. I will make the movie. Do not make it, Klaus. I will make the movie. The movie saw according to me already forms oneself, you saw. It is beautiful. It is strange. Paganini is in the music hall. He plays the violin. It is very full of affection. You see, it comes from some darkness to be very good, beneath, something you can never know. Werner saw it in me. The pig exactly never knew any he looked. Because if he can understand it, he can grow crazily. Possible he to be able to stand it. But his total shrinked from it. Like your present. You are the contraction, pitiful person. You speak the counterfeit goods. I am Paganini. I am in the music hall. Music hall and all madames and person but main woman. The woman in theirs 19th century beam and the girdle, pulls the bosom with them. And they must an only matter. Paganini. Kinski. They want me. They wild with joy to me play. Nature. They must have me. I read the script, Klaus. For example it is. But you cannot feel it! Can you?

English-French-English
Invincible Flammable Unfilmable Turning its head weedy of gold, its lips are red slashlines on its flesh of face. It resounds out of the words of a monologue. It is a torrent whispery. It is the order which only one insane A. Its energy is eternal. Its violence wastes to it his covetousness-if you can call it covetousness. It is parentless. It is without child. He is a god of sex. He is an art of the car-portrait-monger. It is me to say that I will make his film. He is a burning person. Each other burning person I met their eyes go on fire and their body remains normal. It, its flesh burns with its passion, its presence burns with its madness and its incandesce of eyes. You are insane! I say to him. I cannot film this film that you gave me. It is genius! it says. And will film it to you. Then it starts to pulverize in Italian how it is a genius. How it encourages women to have orgasms with the sight of him and of its violin. It is unfilmable, I said. Just as a my friend Werner Herzog known as. It is unfilmable. If Werner Herzog indicated it were unfilmable, nobody can film the it!-I say this to Klaus. Werner Herzog moves mountains, but it cannot film your ugly film. Ah! How challenge you! Klaus indicates to me. It really makes rage. To foam with the mouth. We will make this film! We will do well better than something Werner could ever have made! The pig! Can it lick my ass! You do not know only you say. Do you know why it said that it is unfilmable? Do you know why, Klaus? I do not think that you know even why. It is because it is scum! It never made a good film. The man is an egotistic pinhead. Is not it what I would call an artist. Villon had a name for the tastes of him: Foam foutue! Klaus, listen to me, I say Écoutez me. Why did you choose Paganini? Of all the the-Paganini? Since I am Paganini! I thought that you were Christ! ? I am Christ! I am Paganini! Christ is a thing. But Paganini, the man had a service with the violin which will not find by chance completely on the screen. Klaus, can you play the violin? Bah! I can play anything. I am the largest actor of our time. From all the hour. But you cannot play a note on the violin. You employ the medium of film. The medium of film can make it seem thus. The thin one of David could do it. Klaus: It will seem terrible, I say to him. There is no to come to end the fact that you cannot play the violin. You will be on the screen, and we will expect that you play the violin. Always in a film of Werner Herzog, anybody never fakes playing a musical instrument. It is because Herzog knows that it would be a pretence to fake it. You would perpetuate all that is pretended in our gradually more and more culture of pretence. Do I have to be held here all the day listening to your streaming? You return to me sick. Perhaps you are not the man for work. You became weak. Perhaps once that you made a good film. Perhaps you are the pretence. Since I am not any pretence. I am genius. And lives of genius. Yes. I do not need you. I will make film. Do not do it, Klaus. I will make film. The film is formed already in my spirit, you see. It is beautiful. It is strange. Paganini is in a concert hall. It plays the violin. It if is impassioned. You see, it comes from a little darkness well, far lower part, something which you could never know. Werner saw in me. The pig never exactly did not know what it looked at. Since if it could include/understand it, it would develop alienated. Perhaps it could hold it. But it shrinked always far from him. Like you maintaining. You are a contracting, man pitiful. You speak about the pretence. I am Paganini. I am in the concert hall. The room in.liaison.with all the injuries and man-but mainly of the women. Women in their 19èmes corsets and blouses of century, and their chests of rising. And they want but a thing. Paganini. Kinski. They want me. They are charmed with my play. Sexually. They must have me. I read the manuscript, Klaus. As was to him. But you cannot feel it! Can you?


English-Japanese-English
Turning that weedy head of the invincible gold which Unfilmable is easy to ignite, that lip is red slashlines in that surface meat. He sounds word of monolog. That is the rapid stream of whisper. The fact that there is only a demonian is control. That energy is endless. If as for that violence it is possible to call that yearning, yearning that it alleviates. He is parentless. He is childless. He is characteristic God. He is oneself self-monger. He is I where thing I who am said make that movie. He is the extreme person. In addition as for human me whose everything is extreme as for the meeting and the body which go to the eye with the fire it is restricted normally. He burns that passion and that meat, that existence burns incandesce of that insanity and that eye. It is the lunatic! I call to him. As for me it is not possible to photograph this movie to which you give me. That is the genius! He says. And it photographs that. Then as for him he is the genius how, it starts to make discharge with Italian. He him and makes have to the woman orgasms with vision of that violin, how? When it is unfilmable, me you called that. Exactly you called Werner Herzog as my friend. That is unfilmable. When Werner Herzog said, it was unfilmable, this which everyone says to Klaus it! -I cannot be photographed. Werner Herzog moves the mountain, he only you the じ め cannot photograph the movie. Well! Challenge how! You call Klaus to me. He really rages. Bubble with the mouth. We make this movie! We make rather than perhaps, Werner it made with anything, greatly well! Cover! He me is slow, way it licks,! You do not know that you say. You know that the he why meant that it is unfilmable? Why, Klaus you have known? I do not think of that why you have known. As for that he, it is the scum! He did not make the never good movie. The person is the head of the pin of self basis. He is not that I call the artist. There was a name of that same type in Villon: Very, the scum! When I am heard, me you call Klaus. Hear my story. Why was Paganini chosen? All the-Paganini? It meaning that I am Paganini! As for me Christ! You think of that is and are high. I am Christ! I am Paganini! Christ is one thing. But in Paganini, there was the equipment where the violin which does not come to the human screen rather has been attached. Klaus, it is possible to perform the violin? Bah! As for me it is possible to do with anything. I am the actor where our times are splendid. All times. But it is not possible to note the violin. Film medium is used. Film medium so seems the way that and it is possible to make. To do that it is possible Lean of デイヴィッド. Klaus: As for that you see terribly, I call to him. There are no times when you obtain around the question sea urchin fact which cannot perform the violin. There is a screen, we expect that the violin is performed. Always with the Werner Herzog movie, the forgery where everyone does the musical instrument. As for that as for that Herzog has known that it is the copy which forges that. Us compared to many and the copy of many copy cultures it had endured everything which is progressively. I your present must raise the fact that you hear that it curses in last day here? I am designated as the sickness. Perhaps it is not the person for working. It became weak. When it makes the good movie perhaps. Perhaps it is the copy. It meaning that I am not the copy. I am the genius. And genius life. It is. I do not need. I make the movie. That, Klaus you do not have to do. I make the movie. The movie already has formed that itself of my heart, you see. That is beautiful. That is strange. As for Paganini there is a concert hole. He performs the violin. That very is ardor. From the darkness, that it comes directly under well, something which you under any condition cannot to know you see. Werner looked at my that. As for the cover those which never he saw you did not know exactly. If he can understand that, it meaning that he is brought up abnormally. Perhaps, as for him it is possible to raise that. But as for him always then shrinked. Like you now. It is the pitiful person of contraction. The copy you speak. I am Paganini. As for me it is in the concert hole. But all women and the person the concert hole where the woman has been attached mainly. The corset of 19 centuries and the woman of bodices, and the chest which they raise. And as for those one thing we want. Paganini. Kinski. As for those you think that we want me. They are wildly excited the fact that you play to me. Sexually. There must be I in those. I read manuscript and Klaus. It is that way, it was. But it cannot feel that! It is possible?

English-Korean-English
The Unfilmable the head where the inflammable foghorn clothes of silk brocade his weed is many it turns away, his mouth alcoholic beverage is the deep-red slashlines in his face flesh. Him word of monologue the sound is born at the outside. The whispery it is a rapid stream. Only it is a control where is a madman. His energy. When the possibility you as lust calling it it is and his power of explosion does his thing softly in lust if. Him. Him. He is the characteristic shoes. He is each one opinion f- Mong U r. He to talk and to go out in me will produce his motion picture is. He non is the same person. Standing non same person I change the non their eye to meet and their body stays normal. He ignites in his ardor, his flesh, his existence ignites in his madness and his eye incandesce. It spreads out and it goes mad,! Me it talks to him. Me you will carry and it will photograph this motion picture which you give. It is a natural disaster,! He talks. And will photograph it it spreads out. He peels and natural disaster as that time him inside Italy U the needle thwi he is long and he starts. He to the woman with him him raised five lu breasts is at all to the spectacle as to peel. It was the unfilmable, me it talked. Only the WernerHerzog talked with my, friend. It is the unfilmable. When the WernerHerzog talks and it is a unfilmable, anyone this it talks to the Klaus which it goes round the IT! It will be able to photograph the I. The WernerHerzog moves the mountain, it will photograph the motion picture where he causes death you but. Ohio! As challenge you! The Klaus talks in me. He rages with realness. In mouth bubble. We will produce this motion picture,! Anyone it hangs but the Werner the l possibility of making until now it is and it sees it is a l thing which we will make very well,! Pig! He licks my donkey,! With the fact that you are talking and it does not know. It he talks that it is a unfilmable and to peel the egg which he spreads out why? It spreads out, the Klaus egg? Even you why being Iss me it does not think. Him cci is it because is a meal! He did not produce an assuredly good motion picture. The man is the convenience pinhead. He will go out and as the artist will call, theyn the place. To the Villon there was a name of the like him,: It was severe, cci meal! The Klaus will carry, it listens to, me it talks. Will carry and listen to. It selected the Paganini why it spreads out? All the-Paganini? It goes out and because is a Paganini! You being Christ me it thought! ? Me it is Christ,! Me it is a Paganini,! Is 1 Christ. To the Paganini, not to meet but positively accidentally in the man screen it raised there was facility at all. The Klaus, it spreads out and it raises at all and to play it is good? Bah! Me anyone it hangs but there is a glow l possibility. Me it is a head of a family company one player of our hour. All hours. It spread out but and it raised at all week glow l. It uses the film medium which spreads out. The film medium it is a possibility of seeming like this. The possibility of it there was a place bead inclination. Klaus: It will try to be terrible, me it talks to him. You will play raised at all, it gets in surroundings of fact. And, we will be extensive in the screen which it spreads out at all it raised the vigor which plays will do. Always inside WernerHerzog motion picture, anyone until now the imitation which plays the musical instrument. The imitation which fabricates it it will connect and theyn the place thing is that because the Herzog is Iss. Us whom it spreads out progress compared to and imitation culture compared to imitation all it will endure inside, theyn the place. When me to here you it falls it listens to it stands suddenly suddenly in all day? It goes out and by you it is sick and it is making. The day when it spreads out possibly is not the hazard man. It spread out and it became weakly. When it produces the motion picture where you are good as soon as possibly. It is an imitation which spreads out possibly. It goes out, because of imitation. Me it is a natural disaster. And natural disaster life. It is like that. Me it does not do in extensive necessity. Me will produce a motion picture. It, the Klaus summer solstice it dries. Me will produce a motion picture. The motion picture already is forming inside my, mind, it spreads out and it sees. It is beautiful. It is strange. The Paganini is in a concert capital city. He is playing raised at all. It to be like this is passionate. From the some darkness which spreads out, it it comes and the silence which well, on lower part, possibility does not have egg l you far assuredly sees. The Werner or saw it inside. He sees the thing pig assuredly is not not to be to be being exact, all. When he will be able to understand it, he goes mad and he grows, theyn because of the place. Possibly it opinion possibility there was he. But he always far from it the shrinked. You together now. The shrinkage which spreads out it is a pitiful man. The imitation which spreads out it talks. Me it is a Paganini. I is in a concert market. All lady and the man it is important but, the woman and the concert market. Their 19 century noses lu three and the body su inside the woman, and the breast which them will get bulky. And them want the thing of 1 thing but. Paganini. Kinski. Them will carry and they want. Them do to do Hwang hall in my glow. With record. To them must be going out. I read the original and the Klaus. It it was same and it was. It will feel it it spreads out but! It will be able to spread out and?

English-Korean-English-Portuguese-English:
The Unfilmable that the head where the inflammable clothes of foghorn of brocade of silk its harmful grass are many it turns moved away, his mouth the alcoholic beverage is slashlines deep-red in its meat of the face. Word of monologue the sound is loaded in the external part. Whispery is a fast stream. It is only a control where madman is one. Its energy. When the possibility you while lust that it calls it is and its power of the explosion makes its soft thing in lust if. It. It. It is the characteristic low shoes. It is each one opinion f Mong U r. To speak and to leave in me the same person will produce its picture of movement is Is non. Being non the same person I change non its eye to the meeting and its body remains normal. It is inflamed in its ardor, its meat, its existence is inflamed in its madness and in its it becomes incandescent of the eye. It spreads for it are and goes insane person, me that it speaks to it. I that you will load and photograph this picture of movement that you give Is a natural disaster, it speaks. E photograph of the will it who spreads for is. It peels and natural disaster as this time interior Italy U thwi that of the needle he is long and he starts. To the woman with it that it raised five chests of lu are in everything to the spectacle regarding the rind. He was unfilmable, me that it spoke. The WernerHerzog only spoke with mine, friend. He is unfilmable. When the WernerHerzog to speak and will be one unfilmable, any one this that says to Klaus the one who goes in return of IT! The I will be able to the photograph. The WernerHerzog moves the mountain, it photograph the movement picture where the cause the death but. Ohio! As the challenge you! Klaus speaks in me. Rages with realness. In the bubble of the mouth. We will produce this picture of movement, any one that hangs but Werner the l possibility to make until now it is and to come that it is a l thing that we let us make very well, pig! Licks my donkey, with the fact that you are speaking and do not know. It who speaks that unfilmable is one and to peel the egg that spreads for it are because? It spreads for it are, the egg of Klaus? Exactly you because being iss me it does not think. Cci he is it because it is a meal! Assuredly did not produce a picture of good movement. The man is pinhead of the convenience. He will leave and because the artist will call itself, theyn the place. To the Villon it had a name of the taste,: he was severe, meal of the cci! Klaus will load, it listening, me that he speaks. He will load and listen. He selected the Paganini because he spreads for it are? All the-Paganini? He leaves and because it is a Paganini! You who are Christ me it thought! I who am Christ, me it is a Paganini, is 1 Christ. To the Paganini, not to meet with positively accidentally but in the screen that of the man raised there it was easiness in everything. Klaus, spreads for is and raises in everything and to play it is good? Bah! Me any one that hangs but has a glow l possibility. Me it is a head of a player of company one of the family of our hour. All the hours. It spread for it are but and raised all in glow l of the week. The USA the way of the film that spreads for are. The way of the film is a possibility to seem as this. The possibility of it was an inclination of the granule of the place there. Klaus: I will try to be terrible, that he speaks to it. You he will play raised in everything, it starts in arredors of the fact. E, us we will be extensive in the screen that spreads for is in that it raised the vigor that the games will make. Always picture of movement of WernerHerzog of the interior, any so far imitation that the musical instrument plays. Imitation that it manufactures it it will connect and theyn that the thing of the place is that because the Herzog is Iss. In to who spreads for it are the comparative progress and the culture imitation compared with imitation all it will resist for inside, theyn the place. When I it you who fall it it listening are suddenly suddenly inside the entire day here? He leaves and for you he is sick and he is making. The day when it spreads for it are is not possibly the man of the danger. It spread for it are and became weak. When to produce the movement picture where you it is good thus that possibly. Imitation is one that it spreads for it are possibly. It leaves, because of imitation. Me it is a natural disaster. E life of the natural disaster. It is as that one. Me that it does not make in the extensive necessity. I it will produce a movement picture, the solstice of the summer of Klaus it dries. I it will produce a movement picture. The movement picture already is giving form inside of mine, mind, it spreads for it are and sees Is pretty. He is strange. The Paganini is in a city of the capital of concert. It is playing raised in everything. To be as this he is passionate. Of some blackout that spreads for is, it comes and the silence that well, in one she has broken inferior more, the possibility does not have egg l distant you assuredly see. Werner or the mountain range it stops inside. He sees that the pig of the thing does not have assuredly duty to be accurate, everything. When understanding will be able, goes wild and grows, theyn because of the place. Possibly possibility of the opinion was it there. But always far of it shrinked. Together you now. The shrinking that spreads it for is is a man pitiful. Imitation that it spreads it for is speaks. Me it is a Paganini. I is in a market of concert. All Mrs. and the man is important but, the woman and the market of concert. Its 19 noses lu three of the century and su of the body inside of the woman, and the chest that will start voluminous. E wants the thing of 1 thing but. Paganini. Kinski. They will load and they want. They stop making to make the hall of Hwang in my glow. With register. She must it leave-they. I read the original and Klaus. It was same and was. He will feel that it who spreads for is but! He will be able to spread for it are e?